![]() The play’s second act includes a moving scene between Heidi and Peter, set in the pediatric AIDS ward where Peter works. “It’s hard to think as late as ’89, it was maybe the third play that addressed AIDS in any way.” “The biggest single thing about is where it positioned itself in the AIDS crisis in New York City,” Gaines said. Tony Award winner Pam MacKinnon directed that revival, which played its final performance May 3.Ĭommonly considered a feminist work dramatizing the lives of women after the second-wave feminist movement, The Heidi Chronicles was also one of the first plays to address the subject of AIDS. Pinkham, a Tony nominee for A Gentleman’s Guide to Love and Murder who has also appeared on Broadway in Ghost the Musical and Bloody Bloody Andrew Jackson, starred in the recent revival alongside Elisabeth Moss and Jason Biggs. And Peter, of course, was gone by the time we did the play,” Gaines said.Ī four-time Tony Award winner, Gaines made his Broadway debut in the 1989 production of The Heidi Chronicles, earning his first Tony for Featured Actor in a Play in the role of the ambitious and witty aspiring pediatrician. “ Peter is based on - I’m told - Peter Evans and Chris … and Andre. (The first line Peter speaks to Heidi is inspired by the first thing Christopher Durang said to Wasserstein in class at Yale Drama School.) Wasserstein, who received the Tony Award for Best Play and Pulitzer Prize for Drama, modeled the character of Peter after several of her good friends. But, listening to the two men discuss playing Peter Patrone, Heidi’s gay best friend who works as a pediatrician, one might think very few years had gone by. Several decades passed between Boyd Gaines’ final performance in The Heidi Chronicles and Bryce Pinkham’s first night in the recent revival of Wendy Wasserstein’s award-winning play.
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